Photograph by Zach Wolfe An audio technician on set.Ĭreated by star Terra Jole and production company Kinetic Content, Little Women: L.A. “In an average-sized world, they have to deal with that the rest of us don’t even consider.” Crew members discuss the scene with the Salinas twins. “A lot of our show is based on ‘little people problems,’” adds Garcia. “Obviously, we have to produce it, put them in situations that allow it to happen or amplify it.”
“The usual drama ensued between these girls.” Provoked or organic? “The story is the story,” Scheibal says. “We were at Havana Club until 3 a.m.,” he says excitedly. Instead he tells a story about what went on the night before in Buckhead. The talent is running late, as usual, and Scheibal has strongly considered heading to Costco for a craft services run. There are two dozen crew members at the house, which has been decorated “in a tribal, sort of Bohemian theme,” in the words of owner and event stylist Jennifer Shields. Once the cast arrives and all four cameras begin to roll, this corner will become a sort of war room with viewing monitors surrounded by a small crowd of producers. “It’s a gender reveal ceremony,” says Justin Guinyard, a tall field producer for the show, as he digs into a plate of food from Zoe’s Kitchen-dubbed “lunch” despite the late hour of 6 p.m.-in a corner of the house. Juicy,” a contributor to the nationally syndicated Rickey Smiley Morning Show and Tanya, a former dancer and self-described “head creatress at Life Body Naturals” skincare line, whose pregnancy is the reason that they’re gathering tonight. Among them: feisty twins, Andrea and Amanda “Ms. Garcia and Scheibal are coexecutive producers of the Lifetime network reality show Little Women: Atlanta, now in its third season, which is about the lives of seven Atlanta-based women with dwarfism. “Or even”-because you never know-“a quick exit.” Mark Scheibal, a bearded man in his 50s sitting beside Garcia, laughs and adds, “Eyelines are very strategic.” “I’ll have my senior cameraman aimed at where we might see some conflict or some words exchanged,” says Garcia, who is in his late 30s and sports a man bun. A dozen dinner guests are expected in an hour, and some aren’t exactly best friends. O n an unseasonably warm winter evening at the Gilbert House, a cozy 18th-century home turned event space in historic Roswell, Pete Garcia works on a seating chart.
0 kommentar(er)
